My introduction to New Constellations was when I was invited to Gemma’s house on Dartmoor to record some early thinking about what became, and in essence already was, New Constellations. I’ve done much more complicated things in audio before, and since, than sitting in on those initial conversations under blankets by the fire, holding out a recorder in my extended, weakening arm. But it was the start of a relationship with New Constellations that has allowed me to push the boundaries of what I had been doing with sound and interviews to that point.
Listening to be heard
Listening to be heard
Listening to be heard
My introduction to New Constellations was when I was invited to Gemma’s house on Dartmoor to record some early thinking about what became, and in essence already was, New Constellations. I’ve done much more complicated things in audio before, and since, than sitting in on those initial conversations under blankets by the fire, holding out a recorder in my extended, weakening arm. But it was the start of a relationship with New Constellations that has allowed me to push the boundaries of what I had been doing with sound and interviews to that point.